º»¹® ¹Ù·Î°¡±â ´ë¸Þ´º ¹Ù·Î°¡±â

Çѱ¹Á¦ÀÓ½ºÁ¶À̽ºÇÐȸ

Çѱ¹Á¦ÀÓ½ºÁ¶À̽ºÇÐȸ The James Joyce Society of Korea

  • Ȩ
  • JJÀú³Î
  • ÇÐȸÁö°Ë»ö

ÇÐȸÁö°Ë»ö

»ó¼¼º¸±â
±¹¹®Á¦¸ñ ¿¹¼úÀÇ Åº»ý: ¡¸ÇÁ·ÎÅ׿콺¡¹, ºÎ¹ö¿Í ÇÔ²² Àбâ
¿µ¹®Á¦¸ñ The Birth of Art: Reading ¡°Proteus¡± along with Martin Buber
ÀúÀÚ ±èö¼ö
Ãâó 61-85
±Ç 28±Ç
È£ 2È£
¹ßÇà³â 2022³â 12¿ù
³í¹®ÀÚ·á [÷ºÎÆÄÀÏ ´Ù¿î¹Þ±â] 03_±èö¼ö.pdf

This paper aims to explore how the main character Stephen talks with the world through the ¡®interior monologue¡¯ based on the Jewish German philosopher Martin Buber¡¯s ¡®dialogic philosophy and aesthetics,¡¯ and attempt a new approach to the analysis of the work. Buber¡¯s theory of dialogic aesthetics is significant in the interpretation of ¡°Proteus¡± because, in this episode concerning the symbolic fight between history and art, Stephen clearly shows his vision of the ¡®eternal priest of art,¡¯ which he regards as the ¡®eternal You,¡¯ in Buber¡¯s terms, being worth substituting for the suggestion of the holy calling of priest in A Portrait of a Young Artist as a Young Man. Throughout Ulysses, this episode is characterized as a ¡®threshold episode¡¯ that connects Stephen¡¯s world and Bloom¡¯s world, and the main character realizes the importance of finding art through the dialogues with various ¡®yous¡¯ that he meets with his body one by one in many ¡®I¡ªIt¡¯ relationships. 

°Ô½Ã±Û ÀÌÀü±Û, ´ÙÀ½±Û º¸±â
ÀÌÀü±Û Obsessed by Cleaning: A Subconsciousness on the Sanitary Reform Movement in Joyce's "Clay"
´ÙÀ½±Û »ý°ú »çÀÇ ¾ôÈû: Á¶À̽ºÀÇ ¡ºÀ²¸®½Ã½º¡»ÀÇ ¡¸Çϵ¥½º¡¹Àå¿¡ °ãÃÄÁø »ý¸í ź»ýÀÇ ±æ°ú Á×À½ÀÇ ±æ