º»¹® ¹Ù·Î°¡±â ´ë¸Þ´º ¹Ù·Î°¡±â

Çѱ¹Á¦ÀÓ½ºÁ¶À̽ºÇÐȸ

Çѱ¹Á¦ÀÓ½ºÁ¶À̽ºÇÐȸ The James Joyce Society of Korea

  • Ȩ
  • JJÀú³Î
  • ÇÐȸÁö°Ë»ö

ÇÐȸÁö°Ë»ö

¹øÈ£ Á¦¸ñ ÀúÀÚ ±Ç È£ ÀÚ·á
519 Comparative Study on Three Chinese Versions of James Joyce¡¯s Ulysses with the Guidance of Foreignization and Domestication Keqi Yao ¡¤ Yan Liu 29 2
518 The Postal State of Being in ¡°Nausicaa¡± Li-ling Tseng 29 2
517 ¡°But I Say: Let My Country Die for Me¡± (U 15.4473): Postnationalism and the Jesuit Adaptation of Joyce and Vico Eishiro Ito 29 2
516 The Fragmentary Chinese History in Finnegans Wake Congrong Dai 29 2
515 A Star Called Henry: A Historical Novel for Irish Socialism Sangwook Kim 29 2
514 ÇöÀç¿Í ¹Ì·¡¿¡ ´ëÇÑ À¯ÅäÇǾÆÀû ȤÀº µð½ºÅäÇǾÆÀû »ó»ó: Á¶À̽º¿Í Çä½½¸® À̾ Àб⠱è°æ¼÷ 29 2
513 The Four Riders in the Funeral Carriage: Three Irelands and Bloom in Joyce¡¯s ¡°Hades¡± Hye Ryoung Kil 29 2
512 ¾ÆÀÏ·£µå ¿©¼ºÀÇ ¿µ±¹ ÀÌÁÖ: Àª¸®¾ö Æ®·¹¹öÀÇ ¡ºÆ縮½Ã¾ÆÀÇ ¿©Á¤¡»À» Áß½ÉÀ¸·Î ¿À±æ¿µ 29 1
511 ¡ºÀ²¸®½Ã½º¡»ÀÇ ¡¸ÀÌŸī¡¹¿¡ ³ªÅ¸³­ Àΰ£°ü°èÀÇ À¯ºñÀû °üÁ¡: ºí·ëÀÇ ±Í°¡¿Í ·¹ºñ³ª½ºÀÇ °ÅÁÖÇϱ⠹ÚÀº¼÷ 29 1
510 ±Ù´ë ´õºí¸°°ú °æ¼ºÀÇ ½Å¿©¼º¿¡ ´ëÇÑ ¿å¸Á°ú Çø¿À: Á¶À̽ºÀÇ ¡ºÀ²¸®½Ã½º¡»ÀÇ ¡¸³ª¿ì½ÃÄ«¡¹¿Í ¹ÚÅ¿øÀÇ ¡¸¼Ò¼³°¡ ±¸º¸ ¾¾ÀÇ ÀÏÀÏ¡¹ ºñ±³¿¬±¸ È«¼¼¹Î 29 1
509 Çï·¹´ÏÁò°ú Çìºê¶óÀÌÁò: Á¶À̽ºÀÇ ¡ºÀ²¸®½Ã½º¡»ÀÇ ¡¸·ÎÅͽº ¸Ô´Â Á¾Á·¡¹ Àб⠰­¼­Á¤ 29 1
508 Å°¿öµå ³×Æ®¿öÅ© ºÐ¼®À» È°¿ëÇÑ Á¦ÀÓ½º Á¶À̽º ÅؽºÆ® ¿¬±¸ µ¿Ç⠺м®: 2003~2022³âµµ±îÁö ¡ºÁ¦ÀÓ½º Á¶À̽º Àú³Î¡»¿¡ °ÔÀçµÈ ³í¹®À» Áß½ÉÀ¸·Î ÀÌ¿µ±Ô ¡¤ ÃÖÁ¾°© 29 1
507 ½ÇÆÐÇÏ´Â ºôµÕÀÇ À±¸®: ¡ºÃâÇס» ¼Ó À±¸®Àû ÁÖü·Î¼­ ·¹ÀÌÿÀÇ ¼öµ¿¼º ´Ù½Ã Àбâ ÃÖ¼®¿µ 28 2
506 The Blackwater Lightship: Modernity and the Idealism of Family Bond in the Era of the Celtic Tiger Sangwook Kim 28 2
505 The Importance of Being Nameless in Oscar Wilde¡¯s Lady Windermere¡¯s Fan Sungjin Jang 28 2
ÀÌÀü1 2 3 4 5 6 7 8 9 10 ´ÙÀ½