This article explores the way Virginia Woolf considers the predicaments of reason-dominated society and how she searches for a redemptive way in the faculties of feeling. In Mrs. Dalloway, Woolf presents "proportion" and "conversion" as sister-principles which the reason-centered society acts out to restructure the consciousness of people. In the course of this process, the innate faculties of feeling are subdued and an individual`s life becomes barren. Through Sir William Bradford and Miss Kilman, Woolf shows the irony that their creeds of proportion and conversion have been used to benefit themselves with regard to class, economy, or mastering over others. However, the futility of their lives eventually proves that their creeds damage their own lives as well as the lives of others. On the other hand, Woolf turns her attention to feeling, as a balance quality. Feelings come primarily out of perception and, as a result, guarantee more immediacy of the world than ideas do. Partly for this reason, through feelings, one can experience a union with the world/others at the moment of illumination. By the virtue of vital feelings, Clarissa lives an autonomous life and also establishes the empathetic connection with others. As for her double-ego, Septimus is described as the victim of reason. His incipient poetic feelings were ripped off and misplaced by masculine ideology. His suicide is not only the offering ritual but also the last defiance of feelings. Lastly, Clarissa`s party is a kind of feast of feelings, where people enjoy the visionary pleasure of life with less discriminatory boundaries.