This article analyzes the close co-relation between the characteristics of post-colonial elements and those of world literature focusing on the two writers: James Joyce and Park Tae-won. Especially, this article interprets Joyce`s The Portrait of the Artist as a Young Man as a kind of allegory which reveals the complex post-colonial relationship between the imperial England and the suppressed Ireland. In other words, Stephen, figuratively representing the weak, experiences the various violent behaviors by the people metaphorically standing for the strong such as Wells, Heron, Father Dolan, and Tate. His sufferings, like being shouldering into a square ditch, being insulted in front of his classmates, getting the corporal punishment, and being called as a heretic, derive from the fact that Stephen is weaker than those people who wield the unfair, unjust, and wrongful violence against him. This allegoric interpretation of the text is supported by the fact that there are lots of words in the text which are related with the complex colonial situation of Ireland including the countless fighters for its independence from England and the historic uprisings against the imperial England. Furthermore, this article analyzes Park Tae-won` four texts including A Day of Mr. Gubo a Novelist and ChunByunPoongKyung from the same prospective. In fact, Park Tae-won was also born in a country which was under colonialism, albeit Japanese Imperialism. Thus, it is no wonder that his texts strongly reveal the post-colonial consciousness and his various innovative experiments regarding the language and the style are related to his desire to overcome the Japanese imperial power over his own nation. These common elements in the texts of two writers can offer an possibility for Park Tae-won`s texts to enter into the World Literature likewise James Joyce`s.